Friday, 16 October 2009

Animation Principles

Looking at the use of animation principles:
-Ease
-Anticipation

Principles of Traditional Animation

The following principles were developed and named:

  1. Squash and Stretch - defining the rigidity and mass of an object by distorting its shape during an action
  2. Timing and Motion - spacing actions to define the weight and size of objects and the personality of characters
  3. Anticipation - the preparation for an action
  4. Staging - presenting an idea so that it is unmistakably clear
  5. Follow Through and Overlapping Action - the termination of an action and establishing its relationship to the next action
  6. Straight Ahead Action and Pose-to-Pose Action - The two contrasting approaches to the creation of movement
  7. Slow In and Out - the spacing of the in-between frames to achieve subtlety of timing and movement
  8. Arcs - the visual path of action for natural movement
  9. Exaggeration - Accentuating the essence of an idea via the design and the action
  10. . Secondary Action - the action of an object resulting from another action
  11. . Appeal - creating a design or an action that the audience enjoys watching

Personality in character animation is the goal of all of the above.

http://www.siggraph.org

Thursday, 15 October 2009

Bumpers

Too literal? After speaking to Ste, Luke and a few others today we wondered whether having someone hanging in the noose was a little bit too literal. So I have decided to just use the noose hanging on it's own instead.

Monday, 12 October 2009

Green Screen

We booked out the photography studio last week in order to do some green green screen. Last week I got some walking sequences done and I filmed the noose hanging. However, today I green screens the objects for my title sequence, here are some pics from today.



Music Video ABC



This is a video which I found on You Tube. It's a music video which explores similar idea to the ones that I want to use in my title sequence. For example using text within the t-shirts.

Sunday, 11 October 2009

Incedental Typography Tests

I decided that I wanted to do some tests which allowed for type to be shown incidentally. So as elements passed each other whole words would be spelled out.

For example, in this clip below the text from the cover of one book would align to form the rest of the word on the other. Below is a quick test that I did using footage and then edited in After Effects.



Same again but different book and different text.



Here is a test using the idea of people passing each other with carrier bags, (very rough test!) Here the text is on the carrier bags and as they meet they show the writer of the TV Show.



This test below shows the idea of someone walking down the road. On the wall there are fly posters and as they pass the posters text on their t-shirts and text on part of the posters will meet to spell out a name. Here I have used a photo of a guy, however this element would be filmed on a green screen background. This means that I could then put it on top of a photo which has fly posters on it.

Thursday, 8 October 2009

Spooks

These are the opening titles for the BBC series Spooks. A series about the MI5 security series. Being a series that I enjoy watching I thought that I thought that it would be a good one to take a look at. Also it is created by design sompany 'Why Not Associates', a design company that I enjoy looking at and have looked at previously.



Take a look at their website: WHY NOT ASSOCIATES

I really like the way that animated elements have been integrated into the sequence. I like the way that the animated elements seem to tie everything together. Definitely something that's interesting to me because Im considering how to tie stuff together at the moment.

Audio Consideration

I got given this piece of music the other day by a friend and thought that it could work really well for this piece. It's intriguing, whilst being mysterious at the same time.

Wednesday, 7 October 2009

Hot Fuzz Titles

As I'm looking at Crime Dramas in terms of title sequences I have decided to take a look at the titles for Hot Fuzz:



I decided to look at the titles although there comical in style because I think that there are element that I could consider in my sequence. The sequence is very faced passed and has narration to tie the sequence together. This is interesting for me, because at the moment i'm considering the way in which I can tie different scenarios within my sequnce together in order to make then flow.

Big Draw

We were asked to create stings for the Big Draw Event in Manchester. Stings, which would be broadcast in between the live interviews and prerecorded footage on the day. Here is the piece that I created:



This event is on Friday the 9th October and it looks like were all heading down. So post to follow on how it goes sometime soon!

Ian Macklin

Ian Macklin came into college yesterday. As Rick was in Holland for the week we were lucky enough to have Ian support us for the day. Early on Ian talked to us about his background and work and showed us some of his projects. I'm quite interested in VJing so looking at the type of concert visuals that he was creating was interesting. He created not only backdrops but pieces to go across the floor underneath where the acts stand.

We were still at the ideas stage within the project and we all sat down as a group and discussed our ideas and how to take them further. It was interesting to get someone else's opinion, not only as it was a set of fresh eyes on our project but because he's a designer working within the industry.

Church

Saw this on a church billboard a while ago. Loved it so here goes:

Is your life rubbish? Recycle it!

Friday, 2 October 2009

Durval Discos

Hey mate check this out i think it could help with your title sequence.
its not revealing text but it is revealing names when moving around the space.
its good, ignore the frenchness!

http://www.artofthetitle.com/2009/05/07/durval-discos/

Thoughtfull Portfolio Crit

A couple of weeks ago I got the chance to spend the day with thoughtful upstairs in their studio. It was a great opportunity to see the way that a real studio environment works. As a result of a chat on the day, they were interested in the work that I was producing in Moving Image. It seemed that they hadn't worked with anyone from Moving Image before, so they were intrigued to see some of my work at some point.

Last week I decided that it would be a great opportunity to get some feedback on my work and interesting at the same time getting feedback from people who work primarily with a graphics background. So I emailed Thoughtful and asked about the possibility for a Portfolio Crit.

Here's a copy of the email I sent them and their response:


First of all I'd just like to say thanks to James, Chris and Stuart who all sat down with me when I turned up in their studio last week. This was a little daunting at first, but nice to get all of their opinions. When I sent the email last week I wasn't expecting such a quick response, which meant that I had to spend the majority of last week finding a range of work that I could show them!

After creating our websites for Kodak last year I've been wanting to have a play with creating a portfolio site, so last week I put a little one together in order to present my work. I came to the conclusion that if I didn't put all of my work in one place, that I'd turn up and would be searching frantically for work and not knowing where to look, (which I didn't think was the right impression give!)

I decided that I would show them a range of the work that I have created both on the course last year/early this year and some of the things that I had the chance to get stuck into over summer. Work that was 2D, 3D and also the Video project that we worked on towards the middle of last year.

The feedback that I got on my work was good to hear. They liked the range of pieces that I took to show them and told me that they could see the amount of time and effort that I had put in on the pieces.

They asked me whether I felt comfortable with the the technical side of my work, as this is obviously an important element in the production of work. Ensuring that if they were asking for work to be created, that it could be produced at the right size and in the right format for example. I felt comfortable in talking about my work in terms of the technical side because I think the technical aspects of work are one of my strengths. But it's interesting to hear how important that is in the considerations of getting someone to carryout a brief.

They gave me some great advice, to make sure that don't just primarily just rely on working on screen. To actually get involved and create some stuff myself. Which was nice to hear because I really like organic and handcrafted design and for a while now have wanted to bring a bit of printing into my work. For example using printed background as backdrop for example.

It was insightful to have people who aren't moving image based give their opinions on my work because they probably look at it from a slightly different point of view, being print based.

Cheers again to Thoughtful!

Sweeney Todd Titles

http://www.creativereview.co.uk/cr-blog/2008/january/Sweeney Toddd

Really cool link, interview with Sweeny Todd title Seq creator

photoshop artist

Maggie Taylor check this person out. Like now ... or whenever

Thursday, 1 October 2009

Ripple Test

These are some tests that I filmed to look at how water ripples:



I decided to do these tests in order to works out the best ways to animate the word RIPPLE. By doing these tests it allowed me to see how I could animate the the word in order to reflect its nature.